Statement
I enjoy the tactile, sensuous nature of clay and like to preserve the raw, intimate touch without the use of glazes. I explore different ways of working with the surface, using slips and exploring the subtleties of burnished smooth and rough textures.
As many artists, I get inspired by the patterns found in nature, the way the bark of a tree has to stretch and twist as it grows towards the sky, how patterns in rock formations speak of the deep earth movements through ancient times. I am also fascinated by sacred geometry, perfect patterns stretching beyond time, representing the fabric and essence of life which moves all creation often described as the Tao of Life.
My approach
As an Art therapist I experience the creative process as an intimate dialogue between me and my creation. The focus is more on the process than it is on outcomes. But of course, finding an aesthetic integration of all the parts is as important in making a piece of art as in living a life. Our lives are continuously stretched, broken and mended through time and it is a challenge and ongoing learning to weave all our different experiences into a meaningful fabric.
Many of my pieces go through several transformative stages of disintegration and re-assemblage and the beauty which emerges is an integration of my intentions and ‘accidental’ happenings whilst interacting with the clay. It is a practice of non-attachment and being able to let things fall apart so new ways can emerge through play and experimentation.
I used to be a production potter early in life and now with less financial pressures, I have the luxury of enjoying this very slow reflective way of hand building. I find life becomes more beautiful when I slow down and am able to deeply listen to the goodness found in the present moment.
